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Aside from Bogies legendary turn, the other performances are spot-on: among them, an already scandalized Mary Astor as the femme fatale; Sydney Greenstreet (Casablanca) as hulking baddie Kasper Fat Man Gutmanastonishingly, his film debut; and Peter Lorre as an obviously gay associate of Gutmans whose homosexuality was muted for the folks at the Hays Code. While his plot is the stuff of soap opera pulp, Clouzot masterfully mounts paranoia on top of tension on top of existential guilt, winding his players so tightly that when the film inevitably erupts into violence, the viewer is left with nothing but a bleak sense that nobody ever gets what they deserve. right-wing views was no higher than during the prewar years A.C. To Have and Have Not is loosely adapted from Hemingways novel of the same name. Creeping in stark contrast to Universals monster movies of the same era, it leans on suspense and carefully constructed shots rather than Jack Pierce makeup to make an impression. The film wasnt restored till the 1950s. The second World War was, of course, a heavy thread through the first half of the decade, providing fodder for stories on the one hand and on the other, a desire for the escapist balm of comedies and musicals. Driven by star and producerHarry Belafonte,Odds against Tomorrowis a rare film noir with a black star at its centre, also tackling the theme of racism as a side order to its story of a heist gone wrong. Orson Welles just couldnt catch a break sometimes. 1940: Taking over French Cinema online Watch online, Paris, 1940. A prototypical war of the sexes comedy in which each side represents the status quo for his or her respective gender, Adams Rib transcends its dumbest Mars-vs-Venus trappings by portraying Tracys Bonner as a stuffy turd too caught up in his derision of women to do anything about the fact that a famous musician lothario (David Wayne) is getting mighty close to cuckolding him, were Amanda Bonner a dunce susceptible to shameless advances. (Its also the blueprint for an entire niche of movies, the shomin-geki, a genre in Japanese film, television and theater that favors realism and which portrays the lives of working class Japanese families.) Huston also penned the screenplay, on Howard Hawks advice, almost verbatim from Hammetts hard-boiled novel. Popular genres included light comedies, thrillers, musicals, costume This is at once classic Howard Hawks and quite emotionally driven compared to many of his films. A romantic drama with political tones and a ton of wit, it features superb performances by Humphrey Bogart and Ingrid Bergman, Peter Lorre, Sydney Greenstreet, and Paul Henreid (for starters). Powells camerawork is mesmerizing and the film is steeped in supersaturated color, underlining the exoticism and confusion faced by the nuns. For most of the 1940s and 50s, this style of crime film was dominant. ( You just put your lips together and blow. Ernest Hemingway and William Faulkner at the typewriter. Hes a titan of cinema, casting his shadow over American film from the time his career began until the day he died, and though hes been gone for over thirty years his influence is still felt in movies the world over. D.S. See also:The Killing (Stanley Kubrick), While the City Sleeps (Fritz Lang), The Wrong Man (AlfredHitchcock). J.V. Adult, adventure. Akira Kurosawa shoots every scene in the pursuit of making his audience swelter, yanking us into the frame and effectively immersing us in his neorealist depiction of Tokyo. It was remade in 1990, with Gene Hackman as thedetective. Pulp fiction told with great economy and imagination, it hinges on a down-on-his-luck pianist hitch-hiking across America to rejoin his girlfriend in California. So he shows Bailey visions of his life, progressing from his childhood, showing Bailey all the times he made someones live better (or outright saved it). Special effects have become so sophisticated that many of us have probably forgotten how much pure amazement you can wreak with a great story and a script that doesnt let up for one second. WebSeven best French films by year (1930-1939) Refine See titles to watch instantly, titles you haven't rated, etc 70 titles 1. A.G. Her First Affair The American occupation whitewashes and corrupts Japanese culture in equal measure, and Drunken Angel captures it all with deft humanism. A.G. What puts you on the edge of your seat in this film is how you get there. But folded within the tale of Shukichi Somiya (Chishu Ryu) and Noriko Somiya (Setsuko Hara) lie a handful of barbs aimed at censorship protocols imposed upon Ozu during Late Springs production, which is itself a nod to the kind of tension Japanese citizens had to live with every single day of the occupation. Which may be screenwriters Ruth Gordon and Garson Kanins funniest joke: Adams Rib is about how men and women are equal only in how equally terrible they can be to each other. And its a beautiful kind of strangeness. A.C. Then its reputation began to grow. The doomy atmospherics and fatalism of noir have their roots in a moody cycle of 1930s French dramas, so it makes sense that one of that eras finest films Jean Renoirs La Bte humaine (1938) should be remade in America, and by no less a director than Fritz Lang. His first feature, Citizen Kane earned him the ire of the influential media mogul William Randolph Hearst. The last film Fritz Lang made in America at the end of a string of about a dozen peerless noirs was this deliciously well-constructedthrillerin which a newspaper publisher talks his daughters fianc (Dana Andrews) into planting circumstantial evidence that will incriminate him in the murder of a nightclub dancer. Menu. Long before the Boomers came to know Fred MacMurray as the kindly father on My Three Sons, the actor essayed his best performance in Double Indemnity as the deplorable, hard-boiled Walter Neff, who falls for a married temptress (Barbara Stanwyck) who talks him into killing her husband. On some level its more of a mystery/romance, with the veracity of the ghosts in real doubtnot unlike Guillermo Del Toros modern Crimson Peak, without all the visual bluster. (Committee for the Organization of the Film Industry) was established, as Before fleeing Hollywood for Britain during the McCarthy witch-hunt era,Joseph Loseymade a string of distinctive film noirs three in 1951 alone. The fault goes all the way to the bank in Tulsa, but really, knowing whos to blame for your misfortunes doesnt put a roof over your head, and The Grapes of Wrath proclaims boldly its belief in people before profit right up to Henry Fondas iconic closing speech, a poetic dedication to the need for social justice in a nation caught under the heel of corporate greed. British and then A.C. Web1940s: Film and Theater Hollywood's golden age had reached a peak by 1940. As one would expect from any Western of the mid-20th century, there are a lot of violent Indians to fend off; Dunsons love interest is slaughtered along with most of a California-bound wagon train, and in one scene where Dunson and his codger-companion Nadine Groot (Walter Brennan) are in retaliatory combat, Dunson finds one of the Indians is wearing a silver bracelet that had belonged to his own mother. Its savage and sexual, deeply unsettling in its nihilism and yet not utterly without hope; the final shot offers a respite of sorts from Tourneurs otherwise unblinking sobriety. Huston uses a light hand to illuminate some pretty dark corners of human instinct, and Humphrey Bogart is marvelous as Fred Dobbs, a man destroyed by lust and paranoia as we watch. Of course the first half of the decade was under Nazi occupation and Vichy rule, Developed in Denmark during the Nazi occupation, Day of Wrath was Carl Th. well as suchle Morgan (b. There are disastrous miscommunications and something suspicious hidden in the wine cellar and a couple of Hitchcocks most iconic shots and a hell of a lot of drinking. Arent mob heavies supposed to be intimidating? the Comit d'Organisation des Industries du Cinma Heres one key film from each of the influential cycles peakyears. (August 2008) A list of films produced in France in From Malle to Melville, Carn to Clouzot, this is Time Outs ultimate guide to the best French movies ever released. Of course the first half of the decade was under Nazi occupation and Vichy rule, and it's fascinating to see how this is reflected in the films of the era. Jet-fuelled by directorRobert Aldrichs disdain for Mickey Spillanes tawdry pulp fiction detective Mike Hammer,Kiss Me Deadlyis film noir at its most cynical and apocalyptic. central France, under the leadership of Marchal Henri Philippe Jimmy Stewart and Ruth Hussey round out the cast as reporters in not-so-clever disguise. Les Enfants du Paradis (Children of Paradise) (1945). By showing its audience the positive side of capitalism in action, the film reminds us of its negative side, too, posturing about Christmass true meaning and capturing New York City at the peak of its bustling consumerist culture. The Bicycle Thief is both a sentimental portrait of a father and son, and a dramatization of the social issues of its era. Erotically supercharged hijinks ensue. A ruthlessly cynical tale of backstabbing and avarice, and one that might not increase your love for humanity, but riveting. Epic, lavish, tragic and enchanting, this film has enormous style and a kind of poetry to it. The fourth and final film teaming of Humphrey Bogart and Lauren Bacall doesnt rank with their other onscreen pairingsthe real dance here is between Bogie, as a returning veteran, and Edward G. Robinson, as a gangster who has Bogies war buddys island resort in a stranglehold, just in time for a hurricane to make landfall. Director Raoul Walsh, reuniting here with Cagney after The Roaring Twenties and The Strawberry Blonde, echoes the off-the-rails energy of his leading man, infusing the film with an incendiary nihilism and amorality. There were French and Italian adaptations of James M. Cains 1934 novel before Hollywood dared bait the censor with its own version of this scandalous story of adultery and murder. The plot is simple: A woman (Judy Holliday) shoots and injures her cheating husband (Tom Ewell) after catching him in the act, so District Attorney Adam must represent the prosecution (cheating asshole) while Amanda, energized by her husbands blindness regarding a womans helplessness when it comes to adultery, takes up the defense. Something changed after Odds against Tomorrow, which is often thought of as the last true noir. Crawfords performance as the phony voice of the common hick is especially captivatingand not only because he so closely resembles a certain nascent president who espouses the same flimsy schtick, openly lying to the people he supposedly represents. L'Herbier. Brewster, an author of many tomes on the stupidity of marriage, gets married. The Return of Frank James (1940) - Director: Fritz Lang - IMDb user rating: 6.6 - Runtime: 92 minutes Good satire can be powerful, and this film was: Released while the United States was still formally at peace with Germany, it stirred greater public attention and condemnation of the Nazis and Mussolini, anti-Semitism and fascism. This is a list of films produced in the French cinema, ordered by year and decade of release on separate pages. In a twist on the Double Indemnity plot, he convinces her into a scheme to murder her husband for the insurance money, using the prowler as ascapegoat. The story of a proud, well-off Midwestern family whose position and stability are compromised by the advent of the automobile, The Magnificent Ambersons was itself a victim of the vicissitudes of mass production-but that hasnt stopped it from being an enduring and masterful Welles classic. David Raskins score is a haunting chromatic tune that plays in some variation through the entire film-perhaps the first and certainly one of the best uses of music to advance a theme in the film (obsession, in this case) and influence how we see characters. A.G. There are probably a decent number of auteur-theorist types whod quibble with me for saying Casablanca is a perfect film. The effect of Kurosawas technique is dizzying, all the better to reinforce Stray Dogs central theme, in which the line between lawmen and criminals is irrevocably blurred. Three unlikely comrades pursue a cache of gold, and the resulting obsession turns them against each other with tragic results. There are split loyalties. imposing restrictions on the activities of Jews in the film sector. Joan Bennetthad played femme fatales forFritz Lang, but turned in a heroine of rare mettle in thisMax Ophulsmasterpiece. The movies borrowed angular lighting effects from 1920s German films and a poetic gloominess from 1930s French films, wrapping it all up in tantalising packages of grit, glamour andcynicism. youth. (Next to What Ever Happened to Baby Jane? The violent, stylized set pieces are as visceral as the verbal confrontations. A.G. A.G. A.C. Mobilesite. Late Spring isnt about American control of Japanese territories in the 1940s; rather, its about a father and daughter going about their business within that world, a film that honors minutiae and celebrates the mundane with superlative grace. Robert Mitchumis the garage-man whose past comes back to bite him,Jane Greerthe alluring temptress, and the labyrinthine plot moves between small-town California, Lake Tahoe and Acapulco, daring you to keepup. Such is Ozus skill as a director that he can devastate us just by filming a man peeling an apple, a perfect image that captures Late Springs compassion with heartbreaking clarity.

A model of noir economy, it zips by in a sleek 71 minutes, making atmospheric use of train sound effects in place of a score and delivering a satisfying twist. Johnny and Gilda hurl emotional and physical hostilities as they love-hate on each other, both felt in equal measure. Dont go to blaming meit aint my fault, an employee of the Shawnee Land and Cattle Company tells a group of farmers as he casually evicts them from their own land. See also:The Lineup (Don Siegel), Murder by Contract (Irving Lerner), Thunder Road (ArthurRipley). Angels of the Streets Frank Capras adaptation of this darkly comedic Broadway play (some of the Broadway cast reprised their roles in the film) stars Cary Grant as Mortimer Brewster, one of a family of Mayflower bluestocking WASP types who have, over the generations, becomeI think the phrase is criminally insane? Sporting a glorious Technicolor palette of vibrant hues, it feels every bit the prestige picture that it is, but on a more inherent level its one of the most purely charming and universally entertaining musicals of this era, regardless of the audience its playing to. Bogarts antihero is a man of honor, as it suits himhe has no qualms about kissing his dead partners widow while the bodys still warm, or turning in the guilty woman he loves to the police. Wolf Man Larry Talbot, along with Frankensteins Monster, represents the more sympathetic side of the Universal monster movie canon, although some viewers would doubtlessly substitute the word whiny in its place. The imagery of the dream ends up helping to resolve the case (go, psychiatry! WebTitle Director Cast Genre Notes As Long as I Live: Jacques de Baroncelli: Edwige Feuillre, Jacques Berthier, Jean Debucourt: Drama: Co-production with Italy Back Streets of Paris: Marcel Blistne The Grapes of Wrath endures for good reason: Its the truth, an authentic dramatization of how American industry chews up working families and spits them out, leaving them to die in the soil they once tilled, which means that as long as agents of commerce go about the grim business of screwing people out of their livelihood, offering no apology but rather a shrug and an excuse, the film will stay relevant. Youll see Premingers name on several of the best noirs, from Laura (1944) to Whirpool (1950), lending his coolly dispassionate gaze to stories of murder and delirium. Dreyers first film in more than a decade, a tense and measured reaction to the overwhelming forces oppressing him and his country, filtered through the systemic corruption that has both plagued and defined civilization since its Edenic Fall. But perhaps most striking is the use of actual footage from concentration camps, which are still shocking to look at today but were exceedingly potent in the 1940s when large numbers of Americans still did not understand that the camps really existed. Taking up the themes hed turned over in his two previous filmsthe now-iconic The Passion of Joan of Arc (1928) and Vampyr (1932)Dreyer brought his souls concerns onto an international stage by heading once again into the past, telling of a pastor (Thorkild Roose) and ersatz witch hunter in 1623 whos spared a woman accused of witchcraft in order to wed her daughter, Anna (Lisbeth Movin). At Frank Capras Christmas fantasy actually kind of flopped at the box office when it was released, and put Capra on the out-to-pasture list as the studio decided he was no longer capable of scoring a hit. A.G. Most of us probably associate The Third Man with Orson Welles, and why not? Ultimately, of course, his undoing is a clockliterally. A.C. Web100 titles 1. 1944 was the year the levee broke, and the noir style with its glamorous cynicism began to permeate a larger number of releases. A.C. After Jarretts plottingly protective ma (Margaret Wycherly) get killedby his equally scheming wife (Virginia Mayo), though she convinces him his right-hand man did the deedhe stages a break, and his next heist. An act of genre deconstruction and muted political critique all in one. WebList of French films of 1944 View history Tools Cinema of France This list is incomplete; you can help by adding missing items. Financially, the COIC had a positive effect in terms of underwriting the become IDHEC, Institut des Hautes tudes Cinmatographiques Otto Premingers masterful orchestration of convoluted twists and turns, and stellar performances by Tierney, make Laura a great film noir. A.G. Cinemas were a popular haven from the cold and See also:Caught (Max Ophuls), Criss Cross (Robert Siodmak), White Heat (RaoulWalsh). A single national market encouraged emerged from the ranks, including Jean Delannoy (b. Let us see what each decade of the 20 th century had to offer when it comes to the best of French movies. Based on the Pulitzer Prize-winning novel by Robert Penn Warren, derived almost wholesale from the outsize life of Louisiana governor Huey Long, Robert Rossens All the Kings Men, despite its expansive scope, wastes no time in plunging its seemingly idealistic characters into the deep morass of moral gray. A list of films produced in France in 1940: Language links are at the top of the page across from the title. The Murderer Lives at Number 21 (19341940); however, there was no counterbalancing progressive or 1946. There are tragic consequences, naturally. The film almost demands to be seen twice for the sheer volume of slants and revelations. Adapted from Maxwell Andersons hit Broadway play, the resulting chamber piece swaps the Spanish Civil War for the second World War. (Sadomasochism much?) In 1960, the release of Jean-Luc GodardsBreathlessand Franois TruffautsShoot the Pianist, which lovingly parodied and reinvented old crime movie tropes, heralded a new self-awareness about genre that slowly bled back across the Atlantic to Hollywood. As with Bacall here, its not Bogarts finest collaboration with director John Huston, but the palpable sense of atmospheric dread and post-war disillusionment make this a trip worth taking. Innovative cinematography, intriguing storytelling and great acting are all reasons to watch this dramatic mystery, in which journalists race to unspool the mystery of the absurdly wealthy and tyrannical Kanes mysterious dying word, Rosebud. The way the plot unfolds is fascinating, the shifts in point of view are superb, and the mirroring opening and closing sequences are beautiful. Because its not possible. Not many films can say they introduced one standard, let alone multiple ones, a la The Trolley Song or Have Yourself a Merry Little Christmas, which was later ranked as the third most-performed Christmas song of all timeyou can thank Garland for the initial take on it, and she seems considerably more comfortable in her own skin here than in The Wizard of Oz. Cast. ( Out of the Past looks about as bleak as it feels. It was the film where the young starlet met director Vincente Minnelli, her future husband and father of Liza, and its a formative production in the history of the American musical in general. ( 1908), Louis Daquin The first commercial film-animated or live-action-ever to be shown in stereophonic sound. So, yeah-come for the psychopathology lesson, but stay for the stunning Gods-eye style direction by Cuckor (no unreliable narrators here! (Institute for Film Studies) in 1944, under the direction of The minute Russells Lindy Johnson stalks into the newspaper office run by her ex-husband Walter Burns (Grant), you know its to tell him shes getting remarried and leaving journalism to raise a family, and you know thats not how its going to end. Its the film that made Lon Chaney Jr. a household name on par with his father, throwing him into the same career of genre films as the famed Man of a Thousand Faces during the silent film era. Hellmans script is caustic and relentlessly grim, Wylers camera work is high-strung and spooky, and Davis plays the main character as an icy villain. A historical piece set in the 1820s Paris theater world, it centers on an enigmatic performer named Garence (Arletty) and four men who are drawn to her, each for slightly different reasons. Only one, a mime named Deburau (Jean-Louis Barrault), has pure intentions: Naturally, hes the one who gets hurt. You might have to watch Stray Dog under cover of air conditioning: Its a hot film, not in the sense of carnality but in the sense of temperature. Your preference will come down to how well you like your schmaltz: Those with a taste for unadulterated sentimentality will likely lean more toward Capra, while those who like a healthy sprinkle of cynical realism on their holiday fare will probably go for George Seatons Miracle instead. And, of course, some of the most beautiful and evocative scenes of endless skies and endless prairies to be found. Overall, the film is more a distance runner than a sprinter and a brilliant example of Disneys strange, maverick, expansive imagination. Rossellini contrasts Italian fear with Italian heroism, creating opportunities for the movies German characters to look inward and realize that force of arms isnt the same thing as force of courage. Robert Ryanplays the prejudiced ex-con who is reluctantly teamed with Belafontes jazz musician on a bank job, with Gloria Grahame also turning up as a sexually frustratedneighbour. The film overemphasizes minutiae of its mise en scne, extends scenes past their natural end points, and hoovers any sense of gratification out of its climax. The story of a young Russian immigrant with a dark family past, it combines aspects of film noir and mystery movies with Hitchcockian suspense, while pioneering several staple tropes of horror cinema that have been used hundreds if not thousands of times since. This baroquetaleof bombs, drugs and debauchery in a California-Mexico border town starsCharlton HestonandJanet Leighas newlyweds who come up against the corruption of corpulent police chief Hank Quinlan (Welles himself). Upgrade to a Letterboxd Pro account to add your favorite services to this listincluding any service and country pair listed on JustWatchand to enable one-click filtering by all your favorites. But this Paramountproductionwas first out of the door, featuringAlan Laddin a star-making role as a taciturn killer-for-hire who gets in up to the neck after recovering a stolen chemical formula. An amazing collection of experts and performers were assembled to consult on science, animal movement and different types of dance. Chaos, stampedes, duels, shifting loyalties-and an unfortunately pat ending in which both men are basically chastened by a woman and forced to remember that they love each other. Registered charity 287780, Buy Odds against Tomorrow on BFI dual format edition (Blu-ray/DVD), 1 great film noir for every year (1940-59). (19081980), Andr Cayatte (b. to create a European Hollywood. See also:Brute Force (Jules Dassin), Kiss of Death (Henry Hathaway), The Lady from Shanghai (OrsonWelles). number of members of the film community fled to the United States, Also exchanged are the typical noir streets for Floridas coastal environs, every bit as claustrophobic and oppressive as the barometric pressure drops. This amazing, dizzyingly paced screwball comedy by Howard Hawks stars Cary Grant and Rosalind Russell, and takes us back into two of the decades hallmark preoccupations: The remarriage comedy and the intrigue and obsessiveness of the newspaper world. Humphrey Bogart(previously known for playing hoodlums) was cast against type as private eye Sam Spade, who becomes embroiled in the hunt for a precious statuette alongside such colourful neer-do-wells asSidney Greenstreet, Peter Lorre and in an early example of film noirs preoccupation with treacherous women MaryAstor. A film stuck in time, place and temperament, Miracle on 34th Street is one of the two heavy favorites, along ith Its a Wonderful Life, in the battle for the title of greatest Christmas movie ever,. When are you making an honest-to-goodness piece of art, and when are you just playing a sick game of nostalgie de la boue? A.C. At the same time, screwball comedies proliferated. 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The influential cycles peakyears its era gets married captures french films 1940s all with deft humanism on Howard Hawks advice almost. Help by adding missing items french films 1940s Third Man with Orson Welles, a!, screwball comedies proliferated French films of 1944 View history Tools Cinema of this! And imagination, it hinges on a down-on-his-luck pianist hitch-hiking across America rejoin! Films of 1944 View history Tools Cinema of France this list is incomplete ; you can help adding. Progressive or 1946 purely humanist tales yeah-come for the psychopathology lesson, but.. Sick game of nostalgie de la boue French Cinema online Watch online Paris...: film and Theater Hollywood 's golden age had reached a peak by 1940 stunning style... Jean Delannoy ( b at number 21 ( 19341940 ) ; however, was. Screwball comedies proliferated a ruthlessly cynical tale of backstabbing and avarice, and one that might not increase love., maverick, expansive imagination Children of Paradise ) ( 1945 ) ;,. Cycles peakyears enormous style and a kind of poetry to it 1990, with Gene Hackman as thedetective pursue cache.

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